Cover By: Ariel Olivetti
Writer: Duane Swierczynski
Pencils: Ariel Olivetti
"Arms," Part 1
A new ongoing series spinning out of the decade's biggest X-Men event! The future of mutantkind starts here! "Messiah CompleX" changed the X-Men forever. But no one's world has been rocked as hard as Cable, the time-traveling mutant from the future. He's been charged with the one mission that could save all of mutantkind -- or, if he fails, damn it to extinction. And hot on his trail is a relentless enemy who won't stop until blood is spilled. No matter where - or when - Cable runs. Brought to you by the dynamic team of Duane Swierczysnki (MOON KNIGHT ANNUAL) and Ariel Olivetti (PUNISHER WAR JOURNAL).

Variant Cover By: Rob Liefeld
Writer: Duane Swierczynski
Pencils: Ariel Olivetti
"Arms," Part 1
A new ongoing series spinning out of the decade's biggest X-Men event! The future of mutantkind starts here! "Messiah CompleX" changed the X-Men forever. But no one's world has been rocked as hard as Cable, the time-traveling mutant from the future. He's been charged with the one mission that could save all of mutantkind -- or, if he fails, damn it to extinction. And hot on his trail is a relentless enemy who won't stop until blood is spilled. No matter where - or when - Cable runs. Brought to you by the dynamic team of Duane Swierczysnki (MOON KNIGHT ANNUAL) and Ariel Olivetti (PUNISHER WAR JOURNAL).

VARIANT COVER!
Limited edition 1:20 variant cover

Cover By Ariel Olivetti
Written By Duane Swierczynski
Pencils By Ariel Olivetti
Your name is Nathan Summers. You've just met a nice Jersey girl. She's blonde, soft-spoken, and she doesn't mind the fact that you have a kid...or a bullet in your chest...or a big scary guy with a robot arm that wants to kill you. But you can't stay here. The future of mutantkind is resting on your shoulders and the longer you stick around, playing house, the bigger the risk. Especially when an old friend comes blasting out of the past.

Written By Duane Swierczynski
Pencils By Ariel Olivetti
Your name is Nathan Summers. You've just met a nice Jersey girl. She's blonde, soft-spoken, and she doesn't mind the fact that you have a kid...or a bullet in your chest...or a big scary guy with a robot arm that wants to kill you. But you can't stay here. The future of mutantkind is resting on your shoulders and the longer you stick around, playing house, the bigger the risk. Especially when an old friend comes blasting out of the past.

Cover by Ariel Olivetti
Written by Duane Swierczynski
Pencils by Ariel Olivetti
The second phase of the war that began in "Messiah Complex" continues! There's nothing better than catching up with an old war buddy, especially after the years have really started to pile up. You can rummage through the bad old days, revel in the glory days, and down quite a few beers on the back porch while the sun slips down over the horizon. But not so for Cable. Because his old war buddy has shown up with news that everyone he knows or cares about is dead. The battles are over, and they're the only ones left on the losing side. If that weren't enough, Bishop, their former ally, is just one bullet away from achieving his objective: killing the baby, and erasing the last shred of hope for mutantkind. All of the battles Cable has won mean nothing. Because suddenly, all of these years later, he's in real danger of losing the war.

Variant Cover by Marko Djurdjevic
Written by Duane Swierczynski
Pencils by Ariel Olivetti
The second phase of the war that began in "Messiah Complex" continues! There's nothing better than catching up with an old war buddy, especially after the years have really started to pile up. You can rummage through the bad old days, revel in the glory days, and down quite a few beers on the back porch while the sun slips down over the horizon. But not so for Cable. Because his old war buddy has shown up with news that everyone he knows or cares about is dead. The battles are over, and they're the only ones left on the losing side. If that weren't enough, Bishop, their former ally, is just one bullet away from achieving his objective: killing the baby, and erasing the last shred of hope for mutantkind. All of the battles Cable has won mean nothing. Because suddenly, all of these years later, he's in real danger of losing the war.

Written by Duane Swierczynski, pencils and cover by Ariel Olivetti, variant cover by Marc Silvestri.

The war that started in "Messiah CompleX" continues here! Hang on to your Bjorn-straps, people: Here it is, the can't-miss conclusion to "War Baby"! Both Cable and Bishop have crossed lines they thought they'd never cross. There's no going back now. And in the disaster-ravaged streets of a near-future Manhattan, it all comes down to which X-Man wants to accomplish his objective more. The gloves are off, the guns are loaded, and nobody's going to walk out of this one unscathed -- including the baby!

Written by Duane Swierczynski
Pencils and Cover by Ariel Olivetti
"Waiting for the End of the World," part 1. When Bishop travels back to the present in search of intel that will aid his search for Cable and the mutant baby, he's intercepted by the X-Force! With Cyclops eagerly waiting to interrogate his former comrade, it would appear that the game is over for the time-traveling cop. So why is Bishop smiling? What trick does he have up his sleeve? And what does this mean for Cable and the baby?

Written by DUANE SWIERCZYNSKI, Penciled by PAUL GULACY, Cover by DAVE WILKINS, 70th Frame Variant by ROB LIEFELD

"WANDERLOST," PART 2
Hope is lost. Literally-lost in time, with Cable stranded in the future, unable to travel back to save her. For the first time in Hope’s short life, the so-called "mutant messiah" has to fend for herself... and now she's hiding out in a futuristic city born of the ashes of Cable’s greatest enemy, Stryfe.

Written by DUANE SWIERCZYNSKI
Penciled by GABRIEL GUZMAN
Cover by DAVE WILKINS
"QUEEN CAPTURES BISHOP" - As it turns out, space isn’t the place for Cable and Hope. Against all odds, Bishop has found them again, and taken their spacecraft hostage. All Bishop needs is to see the girl. Once he has visual confirmation, it’s simply a matter of triggering the nuclear bomb hidden in his arm, and his lifelong mission to save the X-Men (and Earth) is over. And there are only so many places to hide in a small transport vessel on the far reaches of our solar system. But there is someone else aboard the vessel, and she doesn’t care about Cable or Bishop’s war. She’s been drawn to the life force of one of the vessel’s inhabitant, and she and her army will stop at nothing until they have her-Enter: The Brood Queen!

Written by DUANE SWIERCZYNSKI
Penciled by GABRIEL GUZMAN
Cover by DAVE WILKINS
"BROOD," PART 3 - There's trapped, and then there's trapped...like when you're marooned in the vacuum of space and every part of your ship is crawling with parasitic aliens who want to plant the eggs of their unborn at the base of your spine. There's screwed, and then there's screwed...like when Bishop, the mutant cop with a nuke in his arm, is set to blow everything to hell the minute he sees his target--the girl you've spent 15 years trying to protect. There's no time left. No food. No air.