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Written by Brian WoodArt by Ryan KellyCover by Massimo Carnevale"The Cross and The Hammer" Part 2 of 6. Aware of Magnus’ presence, Ragnar sends a band of soldiers to try and figure out exactly what his enemy is up to. Magnus wastes no time in killing them, but one escapes and reports of a child accompanying Magnus, which Ragnar looks to take advantage of . . . by any means necessary!
Written by Brian WoodArt by Ryan KellyCover by Massimo CarnevaleHunter meets hunted when Ragnar and Magnus come face to face. The calm and studied demeanor of Ragnar is put to the test while Magnus, who has always justified his systematic campaign of executions as patriotism, wonders if he can rationalize the violence ready to erupt.
Written by Brian WoodArt by Ryan KellyCover by Massimo CarnevaleThe news of the Vikings’ last days in Ireland at the Battle of Clontarf reaches Ragnar's ears, intensifying his desire to put an end to the reign of terror at the hands of a serial killer known as Magnus. Ragnar puts his own men out as live bait, and learns an important clue to his adversary's true identity in "The Cross + The Hammer" part 4.
Written by Brian WoodArt by Ryan KellyCover by Massimo Carnevale"The Cross + The Hammer" part 5 of 6. Magnus' past is revealed, and if you thought it was impossible for him to get more dangerous, he just did. But Ragnar's tightening the noose, and Magnus is running out of room to maneuver. Thousands of men fight on a battlefield in Clontarf while these two men wage their own game of death.
Written by Brian WoodArt by Ryan KellyCover by Massimo Carnevale"The Cross + The Hammer" part 6 of 6. Ragnar and his Irish armies appear to be the lone victors of the day as they break the back of Viking rule and finally pin Magnus down in what seems like certain death. But in an unexpected 11th-hour reveal, Ragnar and Magnus both discover that nothing in this battle was ever what it appeared to be.
Written by Brian Wood, Art by Leandro Fernandez, Cover by Massimo Carnevale"The Plague Widow" part 4 of 8. As temperatures plummet and both fuel and food start to dwindle, some of the townspeople start to panic. Gunborg seizes on this to organize an expedition outside the sealed city in order to forage. But considering the plague, he seems too eager to take that risk. And as Hilda finds out herself, one doesn't have to travel far for danger to find them.MATURE READERS
Written by BRIAN WOODArt by LEANDRO FERNANDEZCover by MASSIMO CARNEVALEThe final issue of "The Plague Widow" sees Hilda and Karin faced with an impossible choice and a leap of faith. The brutal Russian winter closes in like a vice, and salvation could just as easily be a death sentence for one of them.
Written by BRIAN WOODArt by FIONA STAPLESCover by MASSIMO CARNEVALEThroughout their time as masters of the sea, Vikings traveled thousands of miles over Open Ocean in shallow boats with little protection from the elements. In this standalone issue, Brian Wood and artist Fiona Staples (North 40) chart the path of one boat headed horribly off course and into the realms of myth and terror.
Written by BRIAN WOOD, Art by RICCARDO BURCHIELLI, Cover by MASSIMO CARNEVALETrying to survive in rigid 9th century Norway, young outcasts Erik and Ingrid continue fleeing all forms of society, turning increasingly to the past, to paganism and the "old ways," hoping to find something - anything - they can feel is their own. But they’re dogged every step of the way. The Church sends out heavily armed search and rescue teams to bring Ingrid back to the flock from which she recently ran away.MATURE READERS
Northlanders #32 Written by BRIAN WOOD, Art by RICCARDO BURCHIELLI, Cover by MASSIMO CARNEVALETaking the timeless motif of "young lovers on the run" to an alarming extreme, Erik and Ingrid, outcasts in 9th century Norway, strike a series of blows for individuality against the rigid conformity of the local priesthood in part 3 of "Metal."MATURE READERS
Written by BRIAN WOOD, Art by RICCARDO BURCHIELLI, Cover by MASSIMO CARNEVALEBlessed by the gods, for better or for worse, and driven by rage and sadness, Erik cuts a massive swath through the Christian-dominated Northlands. He seeks nothing less than a total cultural purging, and it seems like his one-man jihad will succeed...MATURE READERS
Written by BRIAN WOOD, Art by RICCARDO BURCHIELLI, Cover by MASSIMO CARNEVALEIn the middle of all the blood, all the burned churches, all the scorched land, all the fouled water, all the dead bodies, all the stinking battlefields, all the smoky skies, all the hate and pain and anger and prejudice, Erik and Ingrid encounter a moment of such pure and shining happiness that it overwhelms them entirely. Is it too late for redemption? "Metal" concludes here!MATURE READERS
Written by BRIAN WOODArt by SIMON GANECover by MASSIMO CARNEVALE"The Siege Of Paris" concludes not with a bang or a whimper, but with a political settlement. What of the warriors who bled and died on the battlements for all those long months? Mads and Abbo try to make sense of it from Mads' rather bleak new perspective. War was a bitch back then just as much as it is now.
Written by BRIAN WOODArt by MARIAN CHURCHLANDCover by MASSIMO CARNEVALESet in the desolate Hebridean islands, a young woman, newly orphaned, steps into her late father's rather large and intimidating shoes. In her teens and in command of the largest army in the region, will she fail to lead - or will she live up to the title "Thor's Daughter"? Featuring gorgeous artwork by Marian Churchland (Beast, Elephantmen, HOUSE OF MYSTERY).
Written by BRIAN WOODArt by PAUL AZACETACover by MASSIMO CARNEVALEThe decades-spanning crime drama "The Icelandic Trilogy" continues with part two of nine. Young Ulf Hauksson is growing up into the enforcer his father needs, but at a truly terrible cost. As his father hesitates, Ulf only sees opportunity -- and the settler community at large feels the effects.
Written by BRIAN WOOD - Art by PAUL AZACETA; Cover by MASSIMO CARNEVALE"The Icelandic Trilogy" continues with part 3 of 9, titled "Slavery." Ulf Hauksson, now head of his clan, takes the fight directly to the rival family, in an unprecedented orgy of violence that rocks the young nation and makes the name Hauksson one to be feared for decades to come. Part one of the trilogy comes to a shocking conclusion!
Written by BRIAN WOODArt by DECLAN SHALVEYCover by MASSIMO CARNEVALEPublished by DC Vertigo"The Icelandic Trilogy", continues with part 6 of 9, titled "Commerce." Where once the Haukssons lived a frontier life, conquering lands with sword and shield, the twin siblings who now carry the name conquer their enemies with money and influence. As the entire nation undergoes a huge cultural shift, can the Hauksson bloodline survive?
Written by BRIAN WOODArt by DANIJEL ZEZELJCover by MASSIMO CARNEVALEPublished by DC Vertigo"The Icelandic Trilogy" continues with "War." In a time of civil strife, Iceland threatens to split in two, while the Haukssons have climbed the social ladder to become statesmen. But will the children of Ulf succeed in dominating Iceland, even if it means tearing it to pieces in the process?
Written by BRIAN WOODArt by DANIJEL ZEZELJCover by MASSIMO CARNEVALE"The Icelandic Trilogy," continues with part 8 of 9, titled "Wealth." Civil war rages and the independence of Iceland hangs in the balance. During what was called the Age of The Sturlungs, the Haukssons toil in the background, in secret, always plotting, never giving up.
Written by Brian WoodArt by Paul AzacetaCover by Massimo CarnevaleFinal issue--MATURE READERS 'The Icelandic Trilogy' concludes with 'Waygone,' rounding off the epic, centuries-spanning tale of the Haukssons, Iceland's notorious organized crime family, also bringing Brian Wood's critically acclaimed series to an end.
